Halloween weekend. A jilted groom. A hastily-organized canoe trip. A pristine river. A deep, dark forest. The strange old woman behind the bait shop should’ve been a warning, but too much beer dulls the senses. When they stumble upon four beautiful women deep in the woods, it all seems too good to be true. And slowly they realize they’ll be lucky to escape alive… Witches’ Night is a throwback to the horror classics of the 1970’s, and features many of the same elements: well-rounded characters, titillating sexual scenarios, an indelible villain, and a plot that builds slowly and inexorably toward an unforgettable conclusion. Written by Michael Lent

A loner American computer hacker is brought to Russia to commit bank fraud, only to find a family and love in the incomprehensible, violent, and chaotic Moscow underworld.

First-time feature filmmaker Jim Threapleton takes inspiration from the case of a Canadian citizen who was imprisoned and tortured in Syria for an entire year to tell this tale of a man who is abducted on the streets of London and placed into a nightmare world of seemingly endless solitary confinement. Zaafir Ahmadi (Omar Berdouni) is a UK citizen of Moroccan descent. One day, after being confronted by authorities in a local warehouse, Zaafir is approached on the street by an intimidating gang of thugs. Before he knows what has happened Zaafir has been drugged, transported to an unknown destination, and placed in a sea container for holding. Now alone in a world where nothing is as it seems, the frightened prisoner soon finds his thoughts drifting back to the days spent with his beautiful wife Ewa (Ania Sowinski) and teaching college courses on democracy and the origins of terrorism. But this is only the beginning of Zaafir’s suffering, because upon arriving in an unspecified Mideast country he is interrogated by the vicious Maro (Andy Serkis), who accuses the prisoner of providing financial aid to radical Islam. Subsequently tortured in hopes that he will provide a confession, Zaafir is eventually released back onto the London streets, but remains so scarred by his experience that he cannot even communicate with his sympathetic wife.

Donald Lawson, the devil child from “666: The Child”, is now an adult and is determined to fulfill his destiny as the Antichrist.

Better Luck Tomorrow and Fast and the Furious: Tokyo Drift director Justin Lin takes a comic look at a longstanding bit of cinema mythology with this mockumentary exploring the making of Bruce Lee’s unfinished final film Game of Death. When martial arts star Lee died in 1973 after having shot roughly twenty-minutes of the full-length feature, director Robert Clouse vowed to complete the film using a Bruce Lee look-a-like. Though the film was eventually released into theaters in 1978, fans continue to debate just how much involvement Lee had in the making of the film nearly three decades after the fact. Perhaps viewers will never know for certain just how much of Lee they are seeing in the final product, but in this knowing satire director Lin offers a hilarious look at how things might have gone down while simultaneously skewering mainstream cinema for it’s stereotypical treatment of Asian-American actors.

A henpecked husband locked in a dead-end job attempts to reclaim his life with a little help from a self-assured teen and a pretty lingerie sales girl in this bittersweet romantic comedy starring Aaron Eckhart, Elizabeth Banks, and Jessica Alba. Bill (Eckhart) is a walking doormat: His in-laws look down their noses at him, his wife Jess (Banks) neglects him, and his love for chocolate is beginning to affect his waistline. When Bill discovers that Jess has recently struck up a “friendship” with hot-shot local reporter Chip Johnson (Timothy Olyphant) that she can’t quite explain, his fears that his wife may have strayed are quickly confirmed. One day, a group of kids from the mentor program show up at the bank Bill works at, and one particularly insightful boy (Logan Lerman) recognizes that all is not well with the hapless husband and banker. Convinced that all Bill needs to win his wife back and reclaim his life is a healthy shot of self-esteem, the quick-thinking teen teams with a perky lingerie sales girl named Lucy (Alba) to confront Bill’s problems with humor and energy. In the process Bill not only begins to break free from the inhibitions that have prevented him from achieving success in both his personal and professional lives, but also begins to realize his dreams of being financially independent and self-confident.

A handful of strangers living on the edge of Los Angeles’ sex industry share a terrible secret in this psychological drama. Jimmy (Paul Ben-Victor) is a small-time kingpin in California’s underground sleaze empire, and he runs a strip club and peep-show arcade where Tara (Angela Sarafyan) displays her body for paying customers. Tara is working off a sizable debt to Jimmy, and her boyfriend, Jaron (Josh Janowicz), meets with Jimmy’s business partner Uncle Lou (Marcus Giamatti) to find out what it would cost to clear her bill. Eager to make some fast money to pay off Jimmy, Jaron teams up with Balery (Brittany Snow), a hooker who wants to get even with an abusive regular customer. One of Jimmy’s more unlikely colleagues is Mr. Garrett (Eddie Jemison), a high-school teacher who learns that two of his students, Courtney (Chloe Domont) and Melody (Candice Accola), are attracted to him. Garrett decides to introduce the girls to Jimmy, who wants to lure them into a career in pornographic modeling. And Wes (Clayne Crawford) is a self-centered musician whose career has yet to take off; needing money, he allows his girlfriend, Chantel (Shanna Collins), to earn their keep by working as a streetwalker. Also starring Theresa Russell and James Russo, On the Doll was the first feature film from director Thomas Mignone, who previously distinguished himself making music videos.

Jeff Daniels, Jon Heder, and Diane Keaton star in director Tim Hamilton’s domestic comedy concerning a slacker who finds his status as man of the house challenged when his single mother begins dating a self-help guru. As the influence of youth gradually gives way to the wisdom of age, the stage is set for a confrontation from which only one side can emerge victorious.

A socially isolated woman still haunted by the disappearance of her three-year-old daughter 15 years ago obsesses over the prospect that a troubled young woman whom she has recently befriended may in fact be her long-lost daughter in The Lake House director/screenwriter David Auburn’s affecting psychological drama. Sigourney Weaver stars as the long-grieving mother, and The Devil Wears Prada’s Emily Blunt stars as the mixed-up teen who becomes the object of the dejected woman’s hopeful fixation.

Longtime film editor Jon Poll (Meet the Fockers and Austin Powers in Goldmember) makes his directorial debut with this coming-of-age comedy about a wealthy public school system newcomer (Anton Yelchin) who wins over his skeptical classmates by serving as a surrogate psychiatrist to the troubled student body. Robert Downey Jr., Hope Davis, and Kat Dennings co-star.

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