As a hurricane approaches the small town of Port Emmett, a varied group of residents are visited by a horror that could not be denied. Fifty years ago a bridge collapsed plunging a circus train into the dark water below. The clown car was never recovered. In ’sins of the father’ tradition, zombie clowns emerge from the bay and exact revenge on descendants of those who left them buried under the silt and mud for half a century!

While on the job at an abandoned Chicago office building, four electrical workers — Dean (Richard Grieco), Ray (Richard Yearwood), Junior (Jason Jones), and Sheldon (Jeff Douglas) — stumble upon a time portal. Instantly, Dean and Junior disappear, rematerializing in a modernistic alternate Chicago. Soon after, Ray and Sheldon follow their buddies — a bad mistake, inasmuch as this parallel world is ruled by cannibalistic, spider-like humanoids. The four heroes link up with a group of survivors of the spider invasion, led by Dr. Morelli (Colin Fox), Elena (Kate Greenhouse), and Crane (David Newman). Will they be able to escape the rampaging arachnids and return to their own world, or will they be betrayed by a spy in their midst and delivered up to the omnivorous Spider Queen? Bearing more than a passing resemblance to the TV series Sliders, the made-for-cable Webs debuted June 28, 2003, on the Sci-Fi channel.

Nigel Cole directs the feel-good comedy Calendar Girls, based on the true story of a group of working-class British housewives who became overnight celebrities by posing for a nude calendar in order to raise more than 500-thousand pounds for a new leukemia unit. The film follows the adventures of best friends Chris Harper (Helen Mirren) and Annie Clarke (Julie Walters), both members of the charitable Rylstone Women’s Institute in North Yorkshire. After Annie’s husband John (John Alderton) succumbs to leukemia, the friends are motivated to take some action. They convince the group to craft a tastefully nude calendar featuring the usual ladies’ activities of gardening and baking, as photographed by the young amateur Lawrence (Philip Glenister). Despite the disapproval of the Institute’s leader Marie (Geraldine James), the calendar quickly becomes a best-seller and leads the group to Hollywood. Ciaran Hinds appears as Chris’ husband Rod Harper.

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Ridley Scott directs the crime comedy Matchstick Men, based on the novel of the same name by Eric Garcia. Neurotic con man Roy (Nicolas Cage) suffers from several emotional problems, including obsessive-compulsive disorder. He and his partner Frank (Sam Rockwell) swindle people out of money by posing as money collectors who promise things like tax refunds, package vacations, and other fabulous prizes (which they never get). Frank wants to pull a really big job, but Roy is too consumed with fear and panic attacks to join him. Only cigarettes and his trusty illegal prescription drugs seem to keep him going. When Roy finds himself in desperate need of more pills, he is forced to see legitimate psychotherapist Dr. Klein (Bruce Altman). Roy ends up talking about his emotional damage from a troubled marriage and divorce, which results in the discovery of a child whom he has never met. Dr. Klein suggests that he spend a weekend with the kid, so in walks teenaged Angela (played by twentysomething Alison Lohman). Reluctant to develop his role as a father, Roy also gets heavily involved in Frank’s ambitious swindle.

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Eleanor H. Porter’s novel about a cheerful girl who brightens the lives of those around her is brought to the screen once again in this made-for-television melodrama. Pollyanna Whittier (Georgina Terry) is an eleven-year-old girl who, after the unexpected death of her parents, is taken in by her Aunt Polly (Amanda Burton). Aunt Polly and her friend are not an especially happy lot, but despite the recent tragedy in her life, Pollyanna is the sort of person who invariably looks at the sunny side of life. Pollyanna invents what she calls “the Glad Game,” in which she challenges those around her to see the positive side of every situation, and her upbeat outlook proves infectious. Produced for British television, this adaptation of Pollyanna received its American premier on the award-winning anthology series Masterpiece Theater.

A woman starts her life over with a new home in a new land in this romantic comedy drama . Frances (Diane Lane) is a writer in her mid-’30s who feels emotionally derailed after her divorce. Unhappy and unable to write, she isn’t sure what to do with her life, and her best friend Patti (Sandra Oh) decides she needs some time away from her problems. With that in mind, Patti gives Frances a ticket for a two-week tour of the Tuscany region of Italy; while there, Frances finds a dilapidated old villa. Charmed by the warmth, beauty, and charm of the small town of Cortona, Frances impulsively decides to buy the villa, thinking she can fix it up herself. The home proves to be more of a handyman’s special than she imagined, but as she slowly gets the hang of household maintenance, Italian style, Frances develops a new confidence as she makes friends with her neighbors and finds love with a handsome local named Marcello (Raoul Bova). Under the Tuscan Sun is loosely adapted from the memoir by Frances Mayes, who (unlike the leading character of the film) remained happily married during her sojourn in Tuscany.

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All of London is in love — or longing to be — in Four Weddings and a Funeral writer Richard Curtis’ first directorial effort. Billed as “the ultimate romantic comedy,” Love Actually involves more than a dozen main characters, each weaving his or her way into another’s heart over the course of one particularly eventful Christmas. The seemingly perfect wedding of Juliet (Keira Knightley) and Peter (Chiwetel Ejiofor) brings many of the principals together, including heartsick best man Mark (Andrew Lincoln), who harbors a very unrequited crush on Juliet. There’s also recent widower Daniel (Liam Neeson), trying to help his lonely stepson Sam (Thomas Sangster) express his true feelings to a classmate. Across town, devoted working mother Karen (Emma Thompson) tries to rekindle the passion of her husband, Harry (Alan Rickman), who secretly pines for a young colleague of his. In the same office, the lonely Sarah (Laura Linney) not-so-secretly pines for a man just a few desks away (Rodrigo Santoro), who returns her affections but may not be able to dissuade her neuroses. Providing the unofficial soundtrack for all of the couples is an aging rocker (Bill Nighy) who just wants to cash in and get laid — but even he might find a meaningful relationship in the most unlikely of places. A working print of Love Actually premiered at the 2003 Toronto International Film Festival.

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For his sophomore effort, director Gary Ross re-teams with Tobey Maguire and William H. Macy, stars of his directorial debut Pleasantville, for this depression-era sports drama about the legendary racehorse, Seabiscuit. Unlike 1949’s fictionalized The Story of Seabiscuit starring Shirley Temple, this version attempts to present a factual account of the story, which centers around the three men who saw the famed horse to victory. Jeff Bridges stars as Charles Howard, an entrepreneur who owns the unlikely racehorse. Howard teams with partially blind boxer-turned-jockey Red Pollard (Maguire in his first performance since annihilating the 2002 box-office in Spider-Man) and horse trainer Tom Smith (Chris Cooper fresh off his best-supporting actor Oscar for Adaptation). Together, the three work to help the famed horse to several symbolic victories that helped to inspire a downtrodden 1930s America. The supporting cast, headed by Macy, includes Elizabeth Banks (Spider-Man) and real-life jockeys Gary Stevens and Chris McCarron.

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Beautiful, sultry Jayne Ferre (Julie Du Page) is a ruthless, mob-connected hitwoman who, in the opening scenes, “eliminates” several mobsters by pretending to seduce them before blowing them away. Her greed gets the best of her, however, when she absconds with a metal briefcase containing a million dirty dollars rightfully/wrongfully belonging to her boss, the equally ruthless Frank Bianci (Louis Mandylor). In an effort to escape with the cash she hitches a ride from California to Texas with down-and-out Emily (Erika Eleniak) and her 16-year old son Kerry (Jeremy Lelliott), who is on the run from a small time drug dealer. Meanwhile, a detective (Adam Baldwin) is tracking the trio as a gaggle of Bainco’s henchmen close in on their car — which breaks down, sending Jayne and Emily in different directions in search of Kerry who now has the million bucks. Emily is eventually picked up by a friendly stranger (James Remar), who happens to be in cahoots with Jayne.

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Guy Jenkin directs this straight-to-video romantic drama shot on-location in Malaysia. In the rainforests of Boreno in the 1930s, English officer John Truscott (Hugh Dancy) accepts a position to colonize the native population of Sarawak at the request of the British government. In following with the native tradition, he is given the services of a servant, Selima (Jessica Alba). A position that British officers refer to as a “sleeping dictionary,” she is a concubine to share his bed and teach him the local language. The tradition forbids romantic entanglements, so the relationship is watched over by superior officer Henry Bullard (Bob Hoskins) and his wife, Aggie (Brenda Blethyn). When Selima and John fall madly in love, they enrage both the colonizers and the colonized. Also starring Emily Mortimer and Noah Taylor.

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