In the year 2029, the world has become interconnected by a vast electronic network that permeates every aspect of life. That same network also becomes a battlefield for Tokyo’s Section Nine security force, which has been charged with apprehending the master hacker known only as the Puppet Master. Spearheading the investigation is Major Motoko Kusanagi, who — like many in her department — is a cyborg officer, far more powerful than her human appearance would suggest. And yet as the Puppet Master, who is even capable of hacking human minds, leaves a trail of victims robbed of their memories, Kusanagi ponders the very nature of her existence: is she purely an artificial construct, or is there more? What, exactly, is the “ghost” — her essence — in her cybernetic “shell”? When Section Six gets involved in the case, she is forced to confront the fact that there is more here than meets the eye, and that the Puppet Master may hold some of the answers she seeks. But little does she know that he has been seeking her as well.

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A gangster is looking to get away from crooked deals and double-crossing people but ends up in the movie business anyway in this comic crime story. Chili Palmer (John Travolta) is a Miami-based loan collector for the mob trying to collect a gambling debt. His assignment takes him to Hollywood to collect money from Harry Zimm (Gene Hackman), a mildly sleazy producer of low-budget horror movies. Although Chili intends to hurt Harry if necessary, he takes a certain liking to him and an even keener interest in Karen (Rene Russo), Harry’s girlfriend, whom Chili recognizes from Harry’s grade-B monster epics. It seems Harry has a script that he feels is Academy Award material, and he could get the project off the ground if he could get the right actor for the lead — say, the well-respected but egocentric (and diminutive) Martin Weir (Danny DeVito). Chili thinks he has a feel for the movie business and decides to see what he can do to persuade Weir to get behind the project. Chili soon finds himself hip deep in the film industry, which at least puts him in contact with a higher grade of scumbags than he’s used to. But Chili isn’t the only criminal Harry’s been dealing with; he’s been obtaining financing from Bo Catlett (Delroy Lindo), a drug dealer with a highly uncertain temperament. An intelligently constructed crime story and a hilarious look at the absurdities of the film business, Get Shorty was based on the novel of the same name by Elmore Leonard; Leonard based Chili on a real-life former gangster of his acquaintance, though Chili’s model never worked in Hollywood.

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The 18th century Scottish legend of Robert Roy MacGregor comes to life in this stylish adaptation of the swashbuckling novel by Sir Walter Scott. Liam Neeson stars as the title character, a cattle drover and proud head of a Highlands clan who takes a one thousand pound loan from the royal Marquis of Montrose (John Hurt) in order to make a profit on some livestock that will keep his struggling people alive through the coming winter. One of the Marquis’ henchmen, wily expert swordsman Archibald Cunningham (Tim Roth) learns of the loan from the nobleman’s factor, Killearn (Brian Cox), and steals the money by murdering Rob Roy’s best friend MacDonald (Eric Stoltz). Unable to repay the loan and unwilling to give up his land, Rob Roy becomes a fugitive, hunted by none other than Cunningham, who rapes Rob Roy’s wife Mary (Jessica Lange). Scotch-British politics come to a boil over the Rob Roy affair, leading to an officially sanctioned showdown between the stoic farmer and Cunningham.

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Fine special effects, eclectic casting, and the freeze-frame-worthy, clothing-free debut of a blonde bombshell made this cheesy science fiction/horror hybrid a cut above its B-grade roots. At a top-secret Utah facility headed up by Dr. Xavier Fitch (Ben Kingsley), scientists have created “Sil” (Natasha Henstridge), a half-human, half-alien product of experiments with DNA codes obtained from beyond the stars. Unfortunately, Sil has escaped. Her primary objective is to mate, and, with the ability to transform herself into an incredibly powerful alien creature, puny humans can’t stop her. So Dr. Fitch calls in a quartet of specialists (Forest Whitaker, Michael Madsen, Marg Helgenberger, and Alfred Molina), to attempt Sil’s capture. At the same time, Sil is leaving a trail of mostly male corpses in her hormonal wake. The organic-flavored alien designs for Species were provided by H.R. Giger, the artist responsible for the memorable creatures and spaceships of Alien (1979). When MGM decided to cut the spectacular “train birth” sequence in the interest of budget-trimming, Giger personally financed this $100,000 showcase of his work. Those who look closely will notice that “Young Sil” is played by future Dawson’s Creek star Michelle Williams.

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Very loosely based on the memoir of the same name, The Basketball Diaries transposes the late ’60s adolescence of writer/artist Jim Carroll to some unspecified time period at least 15 years later, further confusing the timeframe with three decades of rock music, some by Carroll himself. Jim (Leonardo DiCaprio) and his Catholic school chums are on the hottest basketball team in New York, but their friend Bobby (Michael Imperioli) languishes in the hospital with leukemia. In-between typically boyish adventures, Jim scribbles in his notebook and experiments with sex and drugs. His group of friends begins to disintegrate after coach Swifty (Bruno Kirby) not only makes a pass at Jim, but also catches him and his pals using drugs on the court and kicks them off the team. Out of school and on the streets, Jim turns tricks, betrays friends, robs stores, and deals drugs to feed his heroin addiction. Not even the efforts of former addict Reggie (Ernie Hudson) can cure Jim. Mark Wahlberg appears as one of Jim’s basketball and drug buddies, while Carroll himself makes a memorable cameo as an addict who describes the almost Catholic rituals of shooting heroin.

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Good gorillas meet bad gorillas while human beings search for treasure in this jungle advnture saga. R.B. Travis (Joe Don Baker) is the ruthless head of Travi-Com, a telecommunications firm on the cusp of a major breakthrough in laser communications technology. However, Travis needs diamonds to finish the project, so he sends a group of men to Zaire, where he’s told that a large supply of the gems can be easily found. When the men go missing, Travis sends his trusted assistant Karen Ross (Laura Linney), a one-time CIA associate, into the jungle to find both his staff and the jewels. Hoping to keep her mission a secret, Karen travels to Zaire in the company of Peter (Dylan Walsh), a researcher on primate development who is hoping to return Amy, a gorilla who has been taught sign language and can “speak” English with the help of a glove-controlled computer device. Also travelling with them is Herkermer (Tim Curry), a Romanian with a secret agenda: he’s convinced that Amy can guide him to the Lost City of Zinj, where he believes that King Solomon’s Mines are located. Upon arrival, the group is met by Monroe Kelly (Ernie Hudson), a self-described “great white hunter who happens to be black,” and they discover that the jungle holds a menace that they weren’t counting on: a tribe of bloodthirsty gray gorillas. Congo was based on the best-selling novel of the same name by Michael Crichton.

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An investigator seeking the truth behind the death of a noted art dealer uncovers a web of sexual deception in this erotic thriller. David Caruso plays David Corelli, a San Francisco District Attorney who faces a potential conflict of interest when he learns that the prime suspect in the murder is psychologist Katrina Gavin (Linda Fiorentino), an old flame who eventually married Corelli’s close friend (Chazz Palminteri). Despite this, he continues on the case and discovers that the dealer owned a series of photographs showing prominent public figures in compromising positions with an enigmatic prostitute known only as Jade. As Corelli searches for the identity of this unknown woman, believing she holds the key to the murder’s solution, he uncovers further secrets that ultimately threaten his own life.

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Richard Linklater’s third feature — set, like his other works, over the course of one 24-hour period — Before Sunrise is a sweet, intelligent romantic comedy filmed primarily in Austria. It stars Ethan Hawke as Jesse, a young American travelling through Europe. On a train he meets Celine, a French student portrayed by Julie Delpy. Together they leave the train to begin exploring the city of Vienna, walking and talking into the wee hours of the night and slowly falling in love as the minutes before Jesse’s return to the U.S. tick away.

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Saturday Night Live star Chris Farley had his first starring role in this frankly lowbrow comedy, which teamed him with fellow SNL cast member David Spade). Big Tom Callahan (Brian Dennehy) is the street-smart owner of a company that makes auto parts, and one day he’d like his son Tommy Callahan III (Chris Farley) to take over the business. Trouble is, Tommy Boy is a fat, dim-witted slob who took seven years to get a business degree and has no idea how to run a business. His father’s sudden death unexpectedly puts Tommy Boy in charge, with his dad’s weasely assistant Richard (David Spade) trying to guide him. However, what no one knows is Big Tom’s wife, the young and beautiful Beverly (Bo Derek), married him only for his money while holding on to her lover, Paul (Rob Lowe), whose presence she explains by telling people he’s her son. Beverly and Paul are waiting for Tommy Boy to run the company into the ground so they can take over, sell it off and earn a quick payoff. However, what Tommy Boy lacks in smarts (and hygiene), he makes up for in determination, and he hits the road with Richard for a long sales trip in a last ditch effort to rescue his father’s legacy. Tommy Boy was a major hit that turned Chris Farley into a screen star; sadly, he was dead within two years of the release of his breakthrough film.

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In a futuristic, high-tech world run by huge corporations, Parker Barnes (Denzel Washington) is an L.A. policeman serving time for killing the psychotic who murdered his wife and child. Lindenmeyer (Stephen Spinella), a Dr. Frankenstein of the computer era, has created a monster, Sid 6.7 (Russell Crowe), a virtual reality entity which is programmed with the character traits of scores of mass murderers. Sid 6.7 has escaped the control of its creator and is now running amok. The privatized police force in charge of keeping the peace in the city is run by Elizabeth Deane (Louise Fletcher). Barnes has volunteered to test a new criminal tracking system based on a virtual reality device. His job is to find Sid 6.7, with the help of psychologist Madison Carter (Kelly Lynch). Barnes gets out of prison and reinstated to the police force to pursue his dangerous prey.

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