Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts — he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie’s father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son’s entreaties to spend money to clean up the place. Famed screenwriter Nora Ephron co-scripted the story with Sam Simon.

Steve Martin wrote and stars in this look at the promise and dreamtime of Los Angeles culture. Martin stars as Harris K. Telemacher, a light-hearted television weatherman who does wacky comedy in lieu of reports since, being in L.A., he has very little weather to report. He spends his time roller-skating through museums and spending time with California’s beautiful people. But Telemacher is fired and discovers that his girlfriend Trudi (Marilu Henner) is having an affair. He walks away from the relationship and re-evaluates his life, getting advice from a friendly electronic highway road sign. The sign suggests that he call SanDeE (Sarah Jessica Parker), a sprightly and attractive Valley Girl he met in a clothing store. With SanDeE he experiences a liberating and carefree spirit. But Telemacher comes to realize that he has actually fallen in love with Sara (Victoria Tennant), a tuba-playing British journalist who is in California to do a feature on Los Angeles lifestyles.

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In the Cold of the Night is an above-average erotic thriller, directed with superb visual style by Nico Mastorakis, but plagued by an uneven, derivative plot. Photographer Scott Bruin (Jeff Lester) is very successful but begins to have frightening visions of himself murdering a beautiful woman. When he meets the woman in those dreams, Kimberly (Adrienne Sachs), they begin a highly charged romance. When Scott becomes suspicious, he finds out information which leads to a “surprise” ending. In the Cold of the Night generated a great deal of controversy when it was originally released, and director Mastorakis had to cut the film to avoid an X rating. Despite the cuts and the weak plot, the extraordinary visual style of Mastorakis, and the haunting cinematography make In the Cold of the Night a treat for fans of erotic thrillers or anyone who appreciates technique and style in filmmaking.

In this animated sequel to An American Tale, Fievel Mousekewitz strikes out from not-so-enthralling New York City in a wagon train headed West. Helping propel the departure is a crafty cat named Cat R. Waul who tells our Fievel that out West the cats and mice get along just fine. Once on the trail, Fievel finds that the cat’s real plan is mice meat pie out of the little rodents, and Fievel tries his darndest to warn everyone, but to no avail. On his side, however, are a couple of friendly cats, including one named Tiger (voice: Dom Deluise) whose scattered one-liners will keep most audiences chuckling. Another wonderful character is the has-been sheriff Wylie Burp (voice: James Stewart). Although this film may be rightfully criticized as being a little too tame, even for toddlers, the endearing and humorous character side-play will likely appeal to most little ones, and very possibly some big people, too.

The ruthless leader of a New York City drug syndicate battles to maintain his power and avoid imprisonment in this fast-moving action drama. While the film’s heroes are Scotty (Ice-T) and Nick (Judd Nelson), a pair of tough, streetwise cops, the main focus is their target, drug lord Nino Brown (Wesley Snipes). A criminal businessman with no room for pity or emotion, the flashy but severe Brown has built an empire and transformed an abandoned Harlem apartment building into a well-defended fortress. He begins to consider himself invincible, but his lust for power and the unpredictable actions of a former client turned police informer threaten to bring about his potential downfall. First-time director Mario Van Peebles keeps the traditional plot moving at an appropriately rapid pace, with stylish action sequences and energetic performances. The film’s violence was somewhat controversial on its initial release, especially after shooting incidents marred showings in several theaters. However, the film’s moral message is clearly anti-drug and anti-crime, its main intent to provide a high-powered, modern take on the gangster movie.

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Ricochet, a suspenseful, exciting police thriller that loses its way at the end, is the story of a good cop whose life is destroyed by an obsessed psychotic criminal whom he sent to prison years before. Nick (Denzel Washington) is a successful happily married police officer with a distinguished record. He is drugged, kidnapped and framed by Blake (John Lithgow) who has never forgiven him for arresting him years before. Nick must redeem himself both to the police force, his family and the public who had come to love and respect him. Denzel Washington is excellent in his role of the good man in an impossible situation. John Lithgow, while always interesting, is completely over-the-top as the psychotic criminal, and the film looses plausibility during an extended and highly improbable and unbelievable final chase sequence around the Watts Towers. Despite these flaws, Ricochet is an exiting suspense film with a fine performance by Washington and worth watching despite its disappointing conclusion.

Bill and Ted’s Bogus Journey find the two obtuse pals battling The Grim Reaper, God, robots, great philosophical questions, and girls — although not necessarily in that order. In this loose parody of the Terminator movies, directed by Peter Hewitt, the ultimate has happened — at Bill and Ted University of the future, for many years now the people of the world have been “excellent to each other.” But fed-up with Bill and Ted’s peaceful world and even more fed up with heavy metal, the evil De Nomolos (Joss Ackland) decides to do something about it. De Nomolos creates a cyborg Bill and Ted, who travel back in time to kill the original Bill and Ted, win the Battle of the Bands and pave the way for the hellish reign of De Nomolos. In the past of 1990, Bill (Alex Winter) and Ted (Keanu Reeves) are immediately dispatched by the time-traveling cyborgs. And while the cyborgs Bill and Ted make time with the real Bill and Ted’s girls (Sarah Trigger and Annette Azcuy) and prepare to take the real Bill and Ted’s place in the Battle of the Bands, Bill and Ted are forced to deal with Hell (”Just like an Iron Maiden album cover”), the Grim Reaper (William Sadler), and God himself. When Bill and Ted are asked the secret of the universe, they get it right and as a reward a pair of Martians construct a set of “good” Bill and Ted robots to go head-to-head with the “bad” Bill and Ted robots at the Battle of the Bands.

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Part of the British mystery series based on the books by Agatha Christie, Miss Marple: They Do It With Mirrors was first aired in 1991. Miss Jane Marple (Joan Hickson) visits her friend Carrie-Louise Serrocold (Jean Simmons) at her country estate known as Stonygates. When Carrie-Louise’s husband, Lewis (Joss Ackland), is threatened by a local reform school student with a gun, Miss Marple starts an investigation — especially when Stonygates visitor Christian Gulbranden (John Bott) turns up dead from a gunshot wound.

“The Irish are the blacks of Europe, Dubliners are the blacks of Ireland, and the North Siders are the blacks of Dublin … so say it loud — I’m black and I’m proud!” Or so Jimmy Rabbitte (Robert Arkins) tells his slightly puzzled friends as he tries to assemble a rhythm & blues show band in a working class community in Dublin in Alan Parker’s film The Commitments. Jimmy is a would-be music business wheeler and dealer, and he’s decided what Dublin needs is a top-shelf soul band. However, top-shelf soul musicians are hard to find in Dublin, so he has to make do with what he can find. However, after a long round of auditions, Jimmy makes two inspired discoveries: Deco (Andrew Strong), an abrasive and alcoholic streetcar conductor who nevertheless has a voice like the risen ghost of Otis Redding, and Joey “The Lips” Fagan (Johnny Murphy), a horn player who knows soul music backwards and forwards and claims to have played with everyone from Wilson Pickett to Elvis Presley. Before long, the band — called the Commitments — is packing them in at local clubs. But do they have what it takes to make the big time? Based on the novel by Roddy Doyle, who also co-wrote the screenplay, The Commitments is sparked by fine performances by its young cast and enthusiastic performances of a number of ’60s soul classics; the cast, who play their own instruments, reassembled the band for a concert tour after the film became a hit.

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Kathryn Bigelow’s fourth action film follows FBI agent Johnny Utah (Keanu Reeves) as he goes undercover to infiltrate a cache of Southern California surfers suspected of robbing banks. Utah, a former football player, is assigned to Los Angeles. There, four bank robbers, who wear rubber masks and call themselves “Ex-Presidents,” have executed a series of successful robberies which embarrassingly have the FBI stumped. Utah, and his partner Pappas (Gary Busey) suspect that the robbers are surfers and hatch a plan for catching them.

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