In Moscow, after FBI deputy director Carter Preston (Sidney Poitier) and scarred Russian intelligence officer Valentina Koslova (Diane Venora) bring down a key figure in the Russian Mafia, they are threatened by the criminal’s powerful brother who swears vengeance on the FBI and immediately hires a professional assassin, the Jackal (Bruce Willis) to kill a leading American political figure. A master of disguises, the Jackal believes in total perfectionism and demands $70 million for the job. The FBI suspects the Jackal is aiming for the FBI director, so they consult with former Basque terrorist Isabella (Mathilda May), in Virginia, and Isabella’s former lover, IRA operative Declan Mulqueen (Richard Gere), serving a prison sentence. Promised leniency, Mulqueen agrees to help. Meanwhile, the Jackal prepares false passports, secures a customized computer system to run his Gatling gun, and heads toward his target in Washington, D.C.

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Esteemed writer/director David Mamet fashioned this homage to the elegant, character-driven “tough guy” genre pictures of Warner Bros. in the 1930s and ’40s, even using vintage scores in the soundtrack. Gene Hackman stars as Joe Moore, an accomplished thief whose career is jeopardized after he’s caught on security cameras during a job. Broke, Joe and his associates Bobby (Delroy Lindo) and Pinky (Ricky Jay) are blackmailed by their longtime fence Bergman (Danny DeVito) into jacking Swiss gold bars from an airplane. As they plot the complicated score, Joe and his crew become suspicious of the relationship between Joe’s young wife Fran (Rebecca Pidgeon) and Bergman’s nephew Jimmy Silk (Sam Rockwell), who has been planted on the crew to keep an eye on them for his uncle. Betrayals and backstabbings are the order of the day as Joe gets closer to the payday of a lifetime. In an effort to reinforce the solid storytelling of classic crime dramas, Mamet eschewed the use of computers or high-tech gadgetry in the complicated plot. Heist (2001) co-stars Patti LuPone.

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In this drama that explores greed and corruption in American business, Giovanni Ribisi plays Seth Davis, an intelligent and ambitious college dropout who runs a casino in his apartment. Eager to show his father that he can succeed, Seth lands a job with a small stock brokerage firm. He is given a space in the company’s “boiler room,” where he makes cold calls to prospective clients. As it turns out, Seth has a genuine talent for cold calling, which gains him the approval of his superiors, the admiration of his father, and the attentions of one of his co-workers, Abby Hilliard (Nia Long). However, the higher up the ladder Seth rises, the deeper he sinks into a quagmire of dirty dealings, until he’s breaking the law in order to keep his bosses happy and his paychecks coming. The Boiler Room also features Tom Everett Scott, Scott Caan, Jamie Kennedy, Nicky Katt, and Ben Affleck in a cameo as the headhunter who brings Seth into the firm. Ribisi and Scott also appeared together in That Thing You Do; Ribisi was the drummer replaced by Scott, who then led The One-Ders to fictional pop stardom.

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Forest Whitaker, Dennis Quaid, William Hurt, and Matthew Fox star in director Pete Travis’ Rashomon-style thriller in which an assassination attempt on the president of the United States is detailed from five unique perspectives. As the president arrives in Salamanca, gunshots ring out. An American tourist (Whitaker) has captured footage of the would-be assassin on videotape, and now, as the stories of the other four witnesses unfold, each essential piece of the puzzle quickly falls into place. Only when all of the stories are told will the chilling truth to this shocking crime finally emerge.

Based on the graphic novel by Alan Moore, V for Vendetta takes place in an alternate vision of Britain in which a corrupt and abusive totalitarian government has risen to complete power. During a threatening run in with the secret police, an unassuming young woman named Evey (Natalie Portman) is rescued by a vigilante named V (Hugo Weaving) — a caped figure both articulate and skilled in combat. V embodies the principles of rebellion from an authoritarian state, donning a mask of vilified would-be terrorist of British history Guy Fawkes and leading a revolution sparked by assassination and destruction. Evey becomes his unlikely ally, newly aware of the cruelty of her own society and her role in it.

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Brian De Palma directed this science-fiction suspense story. When the United States sends its first manned mission to Mars, hopes are high for new scientific discoveries, but many of those hopes are dashed when the Mars crew meets an unexplained disaster; three members of the mission are killed, and a fourth (Don Cheadle) loses all radio contact with the Earth. A rescue mission sets out to bring back the one survivor; in the process, they discover that Mars may not be a dead planet after all, and uncover some startling evidence about the fate of their predecessors. The rescue crew includes Gary Sinise, Jerry O’Connell, Connie Nielsen and Tim Robbins. The screenplay was partially by award-winning playwright Ted Tally, who won an Oscar for his adapted screenplay of The Silence of the Lambs.

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Using the chaos of the World Cup competition as their cover, a crew of crackerjack bank robbers scheme to steal millions of pounds in used bank notes from a London bank before the cold hard cash is incinerated as scheduled. After checking in early for a flight to Germany in order to establish their alibi, the thieves quickly sneak out to the airport parking lot, pile into a van, and stealthily drive towards their target. Their plan to smash the van into the building and grab the cash before catching their flight goes suddenly awry, however, when a member of the gang is badly injured in the crash. With the clock counting down before their flight takes to the sky, the group is soon forced to alter their plan as police attempt to negotiate with the crew through the crumpled van. The negotiations are quickly staled when the robbers refuse to negotiate, leaving the police with no other choice than to hatch a plan to storm the bank. When the police do finally gain entry into the bank, the sight they find leaves even the most sharp-minded law enforcer hopelessly speechless.

A natural disaster breeds man-made treachery in this suspense thriller. Severe flooding threatens an Indiana town after a massive rainstorm taxes dams to the breaking point. As part of an emergency evacuation effort, armored car driver Tom (Christian Slater) and his uncle Charlie (Edward Asner) are recruited to collect cash from the town’s banks and drive it to safety. However, a gang of thieves led by Jim (Morgan Freeman) plan to lay siege to the truck and steal the $3 million on board. After Jim attempts to ambush the truck, Tom hides the cash and reports the attempted theft to the local sheriff (Randy Quaid). However, the sheriff’s lack of honesty soon becomes apparent; he puts Tom in a lockup and sets out to take the money for himself. As the flood waters rise, Tom has to escape from jail if he is to save both the townspeople’s savings and his own life. Meanwhile, Jim and the sheriff are locked in a race to see who can find the $3 million first. Minnie Driver, Richard A. Dysart, and Betty White highlight Hard Rain’s supporting cast.

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Despite its occasional lapses into silly self-consciousness, Flatliners is one of the most intriguing and well-constructed supernatural thrillers of the 1990s. A group of brilliant medical students decide to literally play with life and death. They put themselves in suspended animation, electronically inducing a near-deathlike state and then pulling out of it at the last possible moment. Things get hairy when one of the students (Kiefer Sutherland) becomes obsessed with the notion of really dying, the better to experience the Afterlife before being revived—if he can be revived. In her first dramatic starring role (playing a sensitive young lady on a misguided guilt trip), Julia Roberts is very, very good—completely bereft of movie-star mannerisms. Audiences flocked to see Flatliners back in 1990 due to the highly publicized off-screen romance between Roberts and Sutherland. Oh, yes: Kevin Bacon and William Baldwin are in the picture, too.

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In this fourth installment of the Dirty Harry series, Harry has been banished temporarily from San Francisco because his superiors are uncomfortable about his feud with a local crime boss. He goes to an oceanside small town for a little rest and recuperation but finds the town has been traumatized by a series of brutal murders. Harry meets and falls in love with Jennifer Spencer (Sandra Locke), a young artist. Jennifer and her sister were brutally raped a few years previously by a group of men, leaving her sister catatonic and Jennifer filled with a rage that is expressed in her disturbing artworks. Harry investigates the killings and the rapes, and one by one he dispatches Jennifer’s rapists, one of whom is the son of the local police chief (which explains why the police have done little investigating). Finally, Harry finds out that Jennifer also dispenses her own brand of justice because she cannot rely on the criminal justice system.

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