In this undistinguished parody of the sci fi genre, Robert Urich is Jason who leads a band of pirates in redistributing the wealth of the few to the coffers of the needy. He also joins up with Princess Karina Mary Crosby in searching for her father and a possible source of water in the next galaxy. Meant to be a campy romp through the sci fi genre, the film stops short of achieving a goal that should have been effortless.

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The story that began in Bender’s Big Score concludes as a massive rift in space and time unleashes a cosmic terror of epic proportions and the citizens of planet Earth discover a strange new religion. A revolting, planet-sized alien has taken control of Fry, transforming our time-sleeping hero into the Pope of a new religion that encourages mankind to abandon planet Earth. With no more humans to get in the way, robots the robots will finally be free to take over.

Based on the graphic novel by Alan Moore, V for Vendetta takes place in an alternate vision of Britain in which a corrupt and abusive totalitarian government has risen to complete power. During a threatening run in with the secret police, an unassuming young woman named Evey (Natalie Portman) is rescued by a vigilante named V (Hugo Weaving) — a caped figure both articulate and skilled in combat. V embodies the principles of rebellion from an authoritarian state, donning a mask of vilified would-be terrorist of British history Guy Fawkes and leading a revolution sparked by assassination and destruction. Evey becomes his unlikely ally, newly aware of the cruelty of her own society and her role in it.

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Brian De Palma directed this science-fiction suspense story. When the United States sends its first manned mission to Mars, hopes are high for new scientific discoveries, but many of those hopes are dashed when the Mars crew meets an unexplained disaster; three members of the mission are killed, and a fourth (Don Cheadle) loses all radio contact with the Earth. A rescue mission sets out to bring back the one survivor; in the process, they discover that Mars may not be a dead planet after all, and uncover some startling evidence about the fate of their predecessors. The rescue crew includes Gary Sinise, Jerry O’Connell, Connie Nielsen and Tim Robbins. The screenplay was partially by award-winning playwright Ted Tally, who won an Oscar for his adapted screenplay of The Silence of the Lambs.

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Despite its occasional lapses into silly self-consciousness, Flatliners is one of the most intriguing and well-constructed supernatural thrillers of the 1990s. A group of brilliant medical students decide to literally play with life and death. They put themselves in suspended animation, electronically inducing a near-deathlike state and then pulling out of it at the last possible moment. Things get hairy when one of the students (Kiefer Sutherland) becomes obsessed with the notion of really dying, the better to experience the Afterlife before being revived—if he can be revived. In her first dramatic starring role (playing a sensitive young lady on a misguided guilt trip), Julia Roberts is very, very good—completely bereft of movie-star mannerisms. Audiences flocked to see Flatliners back in 1990 due to the highly publicized off-screen romance between Roberts and Sutherland. Oh, yes: Kevin Bacon and William Baldwin are in the picture, too.

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The director of Mortal Kombat (1995) adapts another popular video game for the big screen with this gory action thriller. Milla Jovovich and Michelle Rodriguez star as Alice and Rain, two members of a commando team assigned to infiltrate the Hive, an underground research laboratory owned by the faceless conglomerate known as the Umbrella Corporation. A bio-engineered virus has been released into the maze-like Hive, turning the facility’s employees into mindless, flesh-eating zombies. A single scratch or bite from one of these rampaging ghouls dooms its victim, so the commandos have their work cut out for them as they attempt to reach the Red Queen, the lab’s supercomputer — and their sole hope of halting the spread of the contagion. Before they can complete their mission, however, the soldiers must overcome a variety of deadly obstacles, including mutant dogs, lasers, and a genetically altered beast known as The Licker, whose strength increases with every victim it slays. Alice and Rain also discover that the release of the virus may not have been an accident, and that a cure may exist somewhere in the deadly Hive. Resident Evil co-stars Eric Mabius, James Purefoy, Martin Crewes, and Colin Salmon.

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John Hughes’ third directorial effort, Weird Science, follows in the tradition of his previous teen-centered films, Sixteen Candles and The Breakfast Club. Anthony Michael Hall and Ilan Mitchell-Smith play the wannabe hipster Gary and his nebbish weak-willed best friend, Wyatt, a pair of high-school geeks who are hapless with members of the opposite sex. Using Wyatt’s computer, they create what they believe is the ideal woman. A lightning storm brings that woman to life, and she takes the form of Kelly Le Brock. Lisa sets about building their self-confidence, but trouble begins brewing when Wyatt’s cruel, military-minded older brother, Chet (Bill Paxton), begins to realize that something is not as it should be. Hughes would finish his cycle of high-school themed films with his next movie, Ferris Bueller’s Day Off.

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A young boy joins a group of renegade dwarves on an unpredictable journey through time in this humorous fantasy. Monty Python animator Terry Gilliam mostly achieves a tricky balancing act in his second feature as sole director, creating a dark, irreverent comedy disguised as a family adventure. Particularly amusing are the boy’s encounters with various historical figures, including an entertainment-starved Napoleon (Ian Holm), a powerful Agamemnon (Sean Connery), and a surprisingly stuffy Robin Hood, embodied by Gilliam’s Python cohort John Cleese. Episodic by nature, the film is less successful when dealing with the larger narrative, which concerns the pursuit of the dwarves and their time-traveling map by the Supreme Being. However, the combination of Gilliam’s visual exuberance and the witty script (by Gilliam and Michael Palin) ensures an entertaining, if erratic, journey.

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Jean-Claude Van Damme returns as cybernetic warrior Luc Deveraux in this sequel to the 1992 action hit. After barely surviving his experiences as a part-human/part-robot Universal Soldier, Luc has opted to stay out of the front lines and work with a military project to refine and perfect the system. However, something goes wrong (as they so often do in films like this), and S.E.T.H. (Michael Jai White), the android supercomputer leading the new breed of soldiers, suddenly develops a murderous mind of his own. Soon S.E.T.H. is leading his fellow war machines on a rampage, and Luc is the only one who can stop them. The supporting cast includes Heidi Schanz and wrestling star Bill Goldberg.

Lady in the Water director M. Night Shyamalan puts PG-13 suspense on pause to tell this grim apocalyptic tale about a family fleeing a natural disaster that poses a grave threat to the whole of humanity. Philadelphia high-school science teacher Elliot Moore (Mark Wahlberg) is discussing the disappearance of the bees with his students when the staff is summoned to the theater and briefed about a mysterious event that is currently unfolding in New York City. According to reports, citizens in the vicinity of Central Park have suddenly and inexplicably begun seizing up just before killing themselves by whatever means are at their disposal. As the phenomena begins to spread and talk of terrorism fills the airwaves, Elliot, his wife, Alma (Zooey Deschanel), their friend Julian (John Leguizamo), and his daughter, Jess (Ashlyn Sanchez), board a train bound for the presumed safety of the country. When the train screeches to a halt before arriving at its final destination, however, the frightened passengers are forced to fend for themselves as each consecutive news report paints an increasingly grim picture of the situation in more urbanized areas. Theories abound on what could be causing the unexplainable rash of suicides, but the only thing that everyone seems to agree on is that it’s some kind of airborne contagion that is carried in the wind. It would appear that humankind’s reign on planet Earth has come to an end, but perhaps if this small band of survivors can find a safe place to lie low until this all blows over, all hope for survival of the species might not be lost just yet.

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