Assembled from over thirty-hours of interviews with the controversial heavyweight champion, director James Toback takes the helm for a feature-length documentary exploring the life and career of self-destructive pugilist Mike Tyson. From his early years under the wing of famed boxing promoter Don King to his notorious match against Evander Holyfield and his conviction on sexual assault charges, Tyson’s turbulent life is explored in the kind of comprehensive manner that could only have been made possible with the subject’s willing participation.

In the gathering dusk of 18 August 1966, 108 young, inexperienced Australian and NZ soldiers are separated and surrounded, fighting for their lives, holding off an overwhelming force of 2,500 battle-hardened Viet Cong and North Vietnamese soldiers. And, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, with their ammunition running out and another Vietnamese battalion massing for the final assault, the digger’s situation seemed hopeless. Long Tan is the true story of ordinary boys who became extraordinary men. Written by Martin Walsh

Arnold Schwarzenegger gained his first real notoriety outside body-building circles with this documentary about a group of men training for the Mr. Olympia contest. Arnold had already won the title six times before, and was training for his seventh victory before retiring to fully pursue his acting career (which began to catch fire with his likable turn in Stay Hungry, released the same year) when this was shot. Here he displays an easy charm and wicked sense of humor as he plays mind games with his competitors and explains how getting pumped up for competition always reminded him of sex (which might explain why he seems so cheerful). And what is Arnold smoking in his dressing room after the contest? Future Incredible Hulk Lou Ferrigno is also on hand, and his fierce determination as he goes through a brutal weight lifting regimen shouting “Arnold! Arnold!” speaks both to his own desire to win and how strong a presence Schwarzenegger was in body-building at the time. You don’t have to be a body building fan to enjoy Pumping Iron, though Arnold is the one contestant who shows obvious star quality.

Renowned pop philosopher and psychoanalyst Slavoj Zizek takes a closer look at the sexual history of films spanning the spectrum from Charlie Chaplain to David Lynch in filmmaker Sophie Fiennes’ indulgent look at some of the silver screen’s most sublime features.

Eric Daniel Metzgar’s human interest documentary The Chances of the World Changing hones in on the eccentric Richard Ogust, a former writer whose towering obsession with rescuing various species of turtle has consumed his life. Ogust spent years amassing literally hundreds of turtles - including many rare and endangered species purchased from food markets in the Asian tigers - which he housed and cared for in his New York City apartment. In time, he counted over 1,600 turtles. Intrigued by Ogust’s story, Metzgar filmed him over the course of two years, a period that saw Ogust’s difficulties mounting; his turtle population ballooned, and he thus found it necessary to rent a New Jersey warehouse to ultimately function as a terrarium. Meanwhile, the New Jersey Department of Fish and Wildlife began to file various charges against Ogust, for (among other accusations) poor care of the turtles. Yet Ogust continued to import the animals at the expense of his own personal well-being. Metzgar sheds light on the value of Ogust’s mission, its inherent difficulties, and the preservationist’s sad inability to solicit help from outside parties as turtle populations decline.

Michael Moore’s wickedly iconoclastic documentary was inspired by the decline and fall of Flint, Michigan. Once the site of a thriving General Motors plant, Flint went quickly to seed when GM decided to close down and move out. As Moore pokes around what has been described by one magazine as “the worst place to live in America”, he finds out how the local populace is coping with GM’s betrayal of the American Dream. Among those visited are a family who is evicted just before Christmas, and an enterprising middle-aged woman who set up a thriving business slaughtering and skinning rabbits. Never feigning objectivity, Moore contrasts the impact of the shutdown on the average Joes and Janes with the diffident reaction of Flint’s power elite. The latter’s patronizing attitude towards the unemployed multitudes is succinctly captured in the scenes in which visiting celebrities Robert Schuller, Anita Bryant, Bobby Vinton and Pat Boone exhort the citizenry to grin and bear it. Even more out of synch is “Miss Michigan” Kaye Lani Rae Rafko, who in her morale-boosting speech to the disenfranchised GM employees begs them to pull for her in the upcoming Miss America pageant! The film’s throughline is Moore’s futile effort to locate GM chairman Roger Smith, so that he can show Moore first-hand the utter devastation of Flint. Roger & Me is very funny, but it is the gallows humor of soldiers about to embark on a suicide mission. In 1992, Michael Moore more or less updated Roger & Me with his half-hour short subject Pets or Meat: The Return to Flint.

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Boogeymen is a greatest hits of gore cinema, a veritable That’s Entertainment! of horror extravaganzas, but the extras are what make Boogeymen worth the money; you can opt to watch the scenes with factoids across the bottom, and you can have Robert Englund give insights on an alternate soundtrack (the best way to watch it is with both options checked). There’s a nifty “Name That Frame” game, detailed character backstories in text form, original theatrical trailers from each of the films represented, trailers of recommended films, and “enhanced scene selection” that takes you to a page that gives you options for the scene, legend, and trailer for each horror icon. The DVD-ROM feature takes you to more games, downloadable sound effects, and other horrific online goodies.

March of the Penguins producers National Geographic Films team with An Inconvenient Truth producers Paramount Vantage to take viewers on an epic journey into the arctic wilderness in a documentary that explores what happens when the beautiful frozen world occupied by two majestic creatures gradually begins to melt away. Seela is a mother walrus thriving in the chilly waters of the Great North, and Nanu is a polar bear with curved claws that make it easy to maintain her footing on ice. As director Sarah Robertson follows these two remarkable creatures from birth through adolescence, maturity, and, ultimately, parenthood, viewers will bear witness to the cycle of life as it unfolds in a vast frozen landscape that could pose problems for all of mankind if it continues to thaw at the current rate.

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After exploring the predominance of violence in American culture in Bowling for Columbine and taking a critical look at the September 11th attacks in Fahrenheit 9/11, activist filmmaker Michael Moore turns his attentions toward the topic of health care in the United States in this documentary that weighs the plight of the uninsured (and the insured who must deal with abuse from insurance companies) against the record-breaking profits of the pharmaceutical industry. Moore interviews a number of people who have been left broke by medical bills even though they were fully insured, and explains how the corporate drive for profits has left numerous people in financial and medical disarray. After hearing that detainees in Guantanamo have access to free health care, Moore assembles a group of World Trade Center rescue workers to travel to Cuba in order to get the medical help they need for ailments they incurred in 2001. Moore’s film debuted at the 2007 Cannes Film Festival.

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Winner of the Silver Bear at the 2006 Berlin Film Festival, The Road to Guantanamo, directed by Michael Winterbottom and Mat Whitecross, uses interviews, news footage, and reenactments to tell the story of the Tipton Three, young British men of Pakistani descent who were detained for over two years without charges at Guantanamo Bay by the American military. Shafiq (played by Riz Ahmed in the reenactments), Ruhel (Farhad Harun), Asif (Arfan Usman), and Monir (Waqar Siddiqui) traveled to Pakistan to take part in Asif’s wedding to a Pakistani girl. Once in Pakistan, they hooked up with Zahid (Shahid Iqbal), Shafiq’s cousin, and they all met in Karachi. There, they attended a mosque, where the imam urged worshipers to help those in need in Afghanistan, and where an inexpensive bus trip over the border was organized. Out of a sense of charity, or perhaps a naïve lust for adventure, the young men decided to travel to Afghanistan. The American bombing campaign begins shortly after they arrive. While trying to get back over the border, they find themselves in the Taliban stronghold of Konduz, where they are captured by the Northern Alliance during the Taliban surrender. At this point, Monir is separated from the group, and they never see him again. Shafiq, Ruhel, and Asif are brought to Sheberghan prison, where they are detained under miserable conditions, until the Americans discover that they are British. At that point, their journey to Guantanamo begins. Asif Iqbal, Ruhel Ahmed, and Shafiq Rasul describe their ordeal at the hands of American and British intelligence, who were determined to get them to confess their nonexistent links to Osama bin Laden and al-Qaeda, while the brutal scenes are reenacted onscreen. The Road to Guantanamo was shown at the 2006 Tribeca Film Festival.