Two dimwitted pals attempt to fib their way through their high school reunion with disastrous results in this bubbly comedy from David Mirkin, frequent director of the cult TV sitcom Get a Life!. Los Angeles dim-bulbs Romy (Mira Sorvino) and Michelle (Lisa Kudrow) have been best friends since childhood. Their shared passions include shopping, club-hopping, and creating their own candy-colored fashions. When their tenth high school reunion looms, the friends realize that their lives are not impressive enough to cow the popular crowd that tormented them in their teen years. So Romy borrows a Jaguar, and the duo concocts a story about how they became top corporate executives by creating Post-It Notes. Once they are at the reunion, however, Romy and Michelle’s scheme unravels. Saturnine classmate Heather (Janeane Garofalo), who really did make a fortune as an inventor, exposes their fraud, and the girls find themselves mocked again, by everyone except Sandy Frink (Alan Cumming), a nerd millionaire with a lingering crush on Michelle. Kudrow reprised the role of Michelle from her late 1980s stage performance in the play Ladies’ Room by Robin Schiff, who expanded both the play and the part of Michelle for the feature film version.

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In Moscow, after FBI deputy director Carter Preston (Sidney Poitier) and scarred Russian intelligence officer Valentina Koslova (Diane Venora) bring down a key figure in the Russian Mafia, they are threatened by the criminal’s powerful brother who swears vengeance on the FBI and immediately hires a professional assassin, the Jackal (Bruce Willis) to kill a leading American political figure. A master of disguises, the Jackal believes in total perfectionism and demands $70 million for the job. The FBI suspects the Jackal is aiming for the FBI director, so they consult with former Basque terrorist Isabella (Mathilda May), in Virginia, and Isabella’s former lover, IRA operative Declan Mulqueen (Richard Gere), serving a prison sentence. Promised leniency, Mulqueen agrees to help. Meanwhile, the Jackal prepares false passports, secures a customized computer system to run his Gatling gun, and heads toward his target in Washington, D.C.

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A man seeks to unlock the mysteries of his family’s tragic past in this drama. Zach Riley (Aaron Eckhart) is a psychiatrist who has resigned a prestigious position at a major university to take a job at the Millwood Clinic, a private residential facility run by one Dr. Reed (William Hurt). Riley tells Reed he was inspired to come to Millwood by the case of a family friend who was a patient there years before, but what Riley doesn’t mention is the person in question was his father, T.L. Pierson (Nick Nolte), a successful but reclusive children’s author whose book “Neverwas” became a remarkable critical and popular success. For all his talent and success, Pierson was haunted by mental illness and drug addiction, and after leaving Millwood he committed suicide, with young Zach finding the body. Ever since, his mother (Jessica Lange) has been bitter and blamed Zach for Pierson’s death, and he’s come to Millbrook looking for answers and closure regarding his dad. While working with the patients at Millwood, Riley strikes up a friendship with Gabriel (Ian McKellen), a charming older man with a poor connection to reality who was friendly with Pierson when they were both in treatment there; Riley also renews his childhood friendship with Maggie Blake (Brittany Murphy), a Millwood intern who was powerfully affected by “Neverwas” when she was young. Neverwas is the first feature film from writer and director Joshua Michael Stern.

Esteemed writer/director David Mamet fashioned this homage to the elegant, character-driven “tough guy” genre pictures of Warner Bros. in the 1930s and ’40s, even using vintage scores in the soundtrack. Gene Hackman stars as Joe Moore, an accomplished thief whose career is jeopardized after he’s caught on security cameras during a job. Broke, Joe and his associates Bobby (Delroy Lindo) and Pinky (Ricky Jay) are blackmailed by their longtime fence Bergman (Danny DeVito) into jacking Swiss gold bars from an airplane. As they plot the complicated score, Joe and his crew become suspicious of the relationship between Joe’s young wife Fran (Rebecca Pidgeon) and Bergman’s nephew Jimmy Silk (Sam Rockwell), who has been planted on the crew to keep an eye on them for his uncle. Betrayals and backstabbings are the order of the day as Joe gets closer to the payday of a lifetime. In an effort to reinforce the solid storytelling of classic crime dramas, Mamet eschewed the use of computers or high-tech gadgetry in the complicated plot. Heist (2001) co-stars Patti LuPone.

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As a hurricane approaches the small town of Port Emmett, a varied group of residents are visited by a horror that could not be denied. Fifty years ago a bridge collapsed plunging a circus train into the dark water below. The clown car was never recovered. In ’sins of the father’ tradition, zombie clowns emerge from the bay and exact revenge on descendants of those who left them buried under the silt and mud for half a century!

Every family has its secrets and tries to hold them hidden within domestic walls. However, those of the family of Marcus Aylesbury are in order to become public because of the family’s long date friend Trent, a journalist faithful to his ideals who, put under pressure by his editor, is looking for a “sexy-scoop”… Written by johnnyber

A woman looking to fulfill her late husband’s final wish sets out on a transformative cross-country road trip in director Christopher N. Rowley’s warmhearted tale of friendship, self-discovery, and the memories that make life worth living even after the ones we love have gone. Arvilla (Jessica Lange)’s husband Joe has recently died during a trip to Borneo, and his ashes have just arrived at her home in Pocatello, ID. Though Joe had previously specified in his will that he would like his ashes scattered by his beloved wife, the well-intending Arvilla soon becomes locked in a heated battle of wills with Francine (Christine Baranski) — Joe’s well-to-do daughter from a previous marriage. Francine is determined to see her father laid to rest next to her mother in Santa Barbara, and she’s threatened to sell the house that her father and Arvilla have lived in since marrying to ensure that she gets her way. Now Arvilla has lost Joe’s will, leaving no way to confirm either what he wanted done with his remains or what Arvilla is to receive upon her husband’s death. Defeated, Arvilla sets her sights on Santa Barbara to surrender the ashes to Francine and attempt to come to terms with the loss of her husband. When Arvilla’s sassy best-friend Margene (Kathy Bates) and uptight pal Carol (Joan Allen) agree to join their recently-widowed friend on her journey and offer some much-needed moral support, the trio soon sets out in Arvilla’s vintage ‘66 Pontiac Bonneville for a journey of a lifetime.

Brian De Palma’s Hollywood sanitization of Tom Wolfe’s scabrous satire stars Tom Hanks as Sherman McCoy, the “master of the universe,” a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria’s apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman’s car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow.

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In this drama that explores greed and corruption in American business, Giovanni Ribisi plays Seth Davis, an intelligent and ambitious college dropout who runs a casino in his apartment. Eager to show his father that he can succeed, Seth lands a job with a small stock brokerage firm. He is given a space in the company’s “boiler room,” where he makes cold calls to prospective clients. As it turns out, Seth has a genuine talent for cold calling, which gains him the approval of his superiors, the admiration of his father, and the attentions of one of his co-workers, Abby Hilliard (Nia Long). However, the higher up the ladder Seth rises, the deeper he sinks into a quagmire of dirty dealings, until he’s breaking the law in order to keep his bosses happy and his paychecks coming. The Boiler Room also features Tom Everett Scott, Scott Caan, Jamie Kennedy, Nicky Katt, and Ben Affleck in a cameo as the headhunter who brings Seth into the firm. Ribisi and Scott also appeared together in That Thing You Do; Ribisi was the drummer replaced by Scott, who then led The One-Ders to fictional pop stardom.

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In this undistinguished parody of the sci fi genre, Robert Urich is Jason who leads a band of pirates in redistributing the wealth of the few to the coffers of the needy. He also joins up with Princess Karina Mary Crosby in searching for her father and a possible source of water in the next galaxy. Meant to be a campy romp through the sci fi genre, the film stops short of achieving a goal that should have been effortless.

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