Notoriously nihilistic filmmaker Michael Haneke revisits one of his most controversial works in this remake of 1997’s Funny Games starring Naomi Watts and Tim Roth. When a family of three arrives at their remote summer cabin for a quiet getaway, the sudden arrival of two psychotic men sets the stage for a harrowing life-or-death struggle that offers savage commentary on the use of violence in entertainment.

Director Franco Zeffirelli’s 1968 version of Shakespeare’s Romeo and Juliet was touted at the time of its release (successfully, if the box-office receipts are any indication), as something of a “youth trip” movie. This is because Zeffirelli broke the long-standing tradition of casting over-aged, sometimes grey-haired players in the title roles. Seventeen-year-old Leonard Whiting plays Romeo, with 15-year-old Olivia Hussey as Juliet. The youthfulness and inexperience of the leading players works beautifully in the more passionate sequences (some of these breaking further ground by being played in the nude). Among the younger players are Michael York as Tybalt and John McEnery as Mercutio. The duel between Romeo and Tybalt starts out as a harmless, frat-boy exchange of insults, then escalates into tragedy before any of the participants are fully aware of what has happened. Photographed by Pasqualino DeSantis on various locations in Italy, Romeo and Juliet was one of the most profitable film adaptations of Shakespeare ever produced. Its most lasting legacy is its popular main theme music, composed by Nino Rota.

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In this spaghetti western, a quick-drawing, hard-riding granite faced, steel-eyed ex-Confederate soldier (Lee VanCleef) rides into a Texas town with the small travelling circus he works for as a stunt rider and bumps into a man who owes him $5,000. Wanting the money back, the vet decides to stay in town and it isn’t long before he ends up embroiled in corruption and double-crosses as he fights to simultaneously save the townsfolk from the greedy, corrupt politician who runs the town and forces the residents to pay cripplingly high taxes and steal the crook’s fortune. This is the third Sabata film and the second time VanCleef essayed the character. In the second film Adios Sabata, the title character was played by Yul Brynner.

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Legendary director Francis Ford Coppola returns to the director’s chair after a ten-year hiatus with this adaptation of Romanian author Mircea Eliade’s tome detailing the arduous journey of a professor whose life is thrown into chaos as World War II looms ominously on the horizon. When the seventy year-old scholar is stricken by lightning, his age begins to reverse as his mind grows infinitely more brilliant. Now determined to understand the origins of language and consciousness, the fugitive professor leads authorities on a wild chase through Romania, Switzerland, Malta, and India. Tim Roth, Bruno Ganz, Alexandra Maria Lara, and Marcel Iures star in an ambitious low-budget drama trumpeted by Zoetrope as a “return to personal filmmaking” for the revered Godfather director.

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Miguel de Cervantes’ classic tale of an errant but idealistic knight gets retold from a new perspective in this animated comedy. In Donkey Xote, Rucio (voice of Luis Posada) is a donkey owned by Sancho Panza (voice of Andreu Buenafuente), and Rucio offers to tell us the inside scoop about his master and his partner Don Quixote (voice of Jose Luis Gil). According to the donkey, Don Quixote was actually a handsome gentleman who longed for the hand of the beautiful Dulcinea (Sonia Ferrer). However, in this version of the story, Dulcinea has a hard time choosing between the knight and his loyal sidekick Sancho Panza, and their rivalry leads them on a journey across Spain to Barcelona as they vie for the beautiful woman’s affections. Donkey Xote was directed by Jose Pozo, who previously brought a classic tale of Spain’s past to the screen with 2003’s El Cid: The Legend.

After beginning the witchy tale of the malevolent “Three Mothers” at a secretive ballet academy in Freiburg, Germany (Suspiria), and later tracking the supernatural goings-on to a doomed tenement building in New York City (Inferno), Italian horror icon Dario Argento draws his long-running trilogy to a close with this third and final installment, set in the Italian capital. Co-scripted by Toolbox Murders screenwriters Adam Gierasch and Jace Anderson, Mother of Tears stars Asia Argento as an American art student who unknowingly unleashes a demonic plague of witches on Rome by breaking the seal of an ancient urn. Udo Kier, Adam James, Philippe Leroy, and Daria Nicolodi also appear in the eagerly anticipated tale of Mater Lachrymarum — the third and most powerful witch in the terrifying trilogy.

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The gritty underbelly of New York’s complex, ethnically divided criminal world is exposed in this dark drama from director Abel Ferrara. Christopher Walken stars as Frank White, a drug lord who’s just been released from a long stint in prison. Aware that feeding off of society’s depravity has made him a wealthy man, Frank has become determined to give something back to the city, and he hatches a scheme to build a multimillion-dollar public hospital in one of Brooklyn’s worst ghetto neighborhoods. Needing the assistance of his fellow criminals to pull it off, Frank and his adjutant Jimmy Jump (Laurence Fishburne) encounter a wall of resistance from every faction, including drug-trade partner Lance Wong (Joey Chin) and temperamental cop Dennis Gilley (David Caruso). Frank’s do-gooder efforts ultimately result in a Mob war and in a bloody showdown between the city’s various ethnic criminal actions. Ferrara followed King of New York with a similarly themed film that many critics considered his masterpiece, Bad Lieutenant (1992).

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Utilizing an exceptional international all-star cast and excellent special effects, Hallmark entertainment and American Zoetrope productions created this fun-filled adaptation of Homer’s most-famous epic poem. It was originally broadcast as a four-hour miniseries on the NBC network. The story faithfully chronicles the many adventures of sailor Odysseus (Armand Assante), his colorful crew as they encounter a variety of mythical figures, including Odysseus’s spiritual guide Athena (Isabella Rossellini), the seductive Calypso (Vanessa Williams) and the treacherous Eurymachus (Eric Roberts). Highlights include the Trojan Horse (made to original scale and filmed on location in the ruins of Troy) sequence. Much of the miniseries was filmed in Europe and on the Mediterranean, making it a feast for the eye.

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A woman starts her life over with a new home in a new land in this romantic comedy drama . Frances (Diane Lane) is a writer in her mid-’30s who feels emotionally derailed after her divorce. Unhappy and unable to write, she isn’t sure what to do with her life, and her best friend Patti (Sandra Oh) decides she needs some time away from her problems. With that in mind, Patti gives Frances a ticket for a two-week tour of the Tuscany region of Italy; while there, Frances finds a dilapidated old villa. Charmed by the warmth, beauty, and charm of the small town of Cortona, Frances impulsively decides to buy the villa, thinking she can fix it up herself. The home proves to be more of a handyman’s special than she imagined, but as she slowly gets the hang of household maintenance, Italian style, Frances develops a new confidence as she makes friends with her neighbors and finds love with a handsome local named Marcello (Raoul Bova). Under the Tuscan Sun is loosely adapted from the memoir by Frances Mayes, who (unlike the leading character of the film) remained happily married during her sojourn in Tuscany.

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A Roman warrior on a quest to uncover the truth about Jesus of Nazareth becomes enamored with an Israeli beauty after rescuing the woman from a violent mugger in this Biblical-themed period drama starring Dolph Lundgren, F. Murray Abraham, Max Von Sydow, and Mónica Cruz. A solar eclipse has cast darkness over the Roman Empire, and as the frightened population cowers in fear the earth beneath their feet begins to violently tremble. Having recently heard rumors about a mysterious Jewish savior who apparently transcended death, Emperor Tiberius sends fierce warrior Tauro to Jerusalem to solve a mystery that threatens to dissolve their empire. Upon arriving in Jerusalem, Tauro rescues a young beauty named Tabitha and her frail grandmother from a menacing street criminal. But Tabitha is forbidden to look at Romans - much less speak to them - and now after entering into a forbidden romance with Tauro the end of an era fast approaches.